Yomola Collection
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Halter top maxi dress
Regular price $54.00 USDRegular priceSale price $54.00 USD -
Off the shoulder maxi dress
Regular price $54.00 USDRegular priceSale price $54.00 USD
ADIRE (adi) "to tie and (re) "to dye"
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( Adi ) "to tie" and ( Re ) "to dye"
Adire is a textile consisting of resist-dyed cloth produced and worn by the Yoruba people of southwestern Nigeria in West Africa. The Yoruba label adire, which means "tied and dyed”. The material was made with Teru (local white attire) and Elu (local Dye). Formally known to be a family business. Mothers passed the techniques down to their female children and the wives of their sons. For a long time, people who were not from a certain family were not allowed to partake in adire production as it was a part of the family’s heritage. Traditionally, adire was dyed indigo (dark blue) made from elu leaf which is planted in the Saki area of Oyo state. Indigo has a lot of health benefits. Today, new multi-colored adire uses simple technology and hot wax or paraffin are used as resist agents in place of the indigenous cassava paste.
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Method
Adire was dyed indigo (dark blue) and it is still the most popular color. Indigo dye is made from elu leaves or elu grains. The leaves are grounded with water and soda ash cooked together. Soaked for days to create the color. Resist-dyeing which involves creating a pattern by treating certain parts of the fabric in some way to prevent them absorbing dye.
This indigenous indigo resist-dyeing technique first originated in Abeokuta, a city that was historically the center of cotton production in the nineteenth century.
Production of indigo-dyed adire involves the input of two female specialists-dyers (Alaro) with control production and marketing of adire, and decorators (Aladire), who create the resist patterns.
In the oldest forms of adire, two basic resist techniques are used to create soft blue or white designs to contrast with a deeply saturated indigo-blue background
Tie and dye process typically consists of folding, twisting, pleating, or crumpling fabric or a garment and binding with string or rubber bands, followed by application of dye(s).The decorator works with a 1 x 2-yard fabric rectangle as a design field, making two identical pieces to sew together creating a square cloth most commonly used for a woman's wrapper.
Most wrappers have repeated all-over patterns created with one or more resist techniques with no one focal point of interest. The motifs used in adire and the labels attached to them reflect the concerns of indigenous and contemporary Yoruba life: the world of nature, religion, philosophy, everyday life and notable events. -
Adire Oniko
This Process involves trying raffia hundreds of individual corn kernels or spiral designs knows as "Alakete" because it comes out like the raffia mats used for covering ones head in the sun. The ring shaped pattern created by the thread can be seen in areas that have been untreaded. This randomized design completed in intervals creates a big tie representing a moon with surrounding stars. It is known as "Oniwaro ati osupa" (stars and moonlight)
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Adire Alabere
Stitching raffia onto the fabric in a pattern before dyeing small portions of it can be pulled up into peaks and then tied with raffia or thread at the base to make bunched areas once the thread is removed post-dye it will reveal a ring-shape undyed area; a portion of the cloth can wrap over a seed, small stone or other object before being tied with thread at its base.
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Adire Eleko
Cassava paste acts as a resist when the cloth is dipped into the indigo dye (the more dips the deeper the blue), allowing for wonderful hand-drawn batiks. Before finalizing the cloth for sale, it will be hit with a mallet, softening it and creating a lovely sheen, owing to the indigo dye.
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Adire Kampala
Designs are created by folding, crumpling, and randomly sprinkling or splashing the hot wax onto a cloth prior to dyeing. Hot wax or paraffin is substituted for the indigenous cassava paste as a resist agent
Reclaim Adire. Reimagine Style.
Asa Moda was founded in 2019 with a simple but powerful vision: to reclaim, revive, and reinterpret the indigenous art of Adire. Our work is rooted in Afrocentrism- a celebration of heritage, identity, and craft. Brought to life through high- quality handmade textiles cherished by customers across the world.
We honor tradition while pushing it forward. Through patterns and symbols passed down for generations. Asa Moda tells stories of resilience and beauty. Our textiles from organic cotton, brocade to chiffon and silk are carefully crafted, all-natural and ecofriendly. Every piece carries the spirit of timeless artistry reimagined for today.
Beyond textiles, we build community. Our signature event HeadWrap & Paint, is more than a gathering- it's a cultural dialogue. We explore the differences between Ankara and Adire, unpack the history and stigma of gele head wraps and tignon. Also empower women to embrace head wrapping as both fashion and heritage.
At Asa Moda, we dont just sell fabric- we preserve memory, spark conversation, and weave energy into style.
WeBlog
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Tignon Laws
In the late 18th century, under the Spanish rule. There was an increase of free African descendants' population in New Orleans, LA. This was caused by enslaved African descendants being...
Tignon Laws
In the late 18th century, under the Spanish rule. There was an increase of free African descendants' population in New Orleans, LA. This was caused by enslaved African descendants being...
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Dutch Wax Vs African Prints
From 1835, colonial powers particularly the Dutch and the English empires. Played substantial roles in industrializing imitations of batik textile. Locally produced in Java, Indonesia. Techniques textile manufacturers in Holland...
Dutch Wax Vs African Prints
From 1835, colonial powers particularly the Dutch and the English empires. Played substantial roles in industrializing imitations of batik textile. Locally produced in Java, Indonesia. Techniques textile manufacturers in Holland...
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